In a groundbreaking fusion of creativity, sustainability, and climate action, German-Ghanaian artist Zohra Opoku, in collaboration with The Revival – a community-led sustainable design initiative founded by Kwamena Boison & Yayra Agbofah – has unveiled the second phase of TRANSFER(S) at the Red Clay Studio in Tamale, Ghana.
**Daring Art, Sustainable Impact:**
Zohra Opoku and The Revival are pioneering expressive, site-specific works that not only engage audiences but also champion sustainability to combat climate change. TRANSFER(S) marks a significant continuation of Opoku’s acclaimed ‘WHO IS WEARING MY T-SHIRT’ series, exploring the interconnected worlds of sustainability, trade, and textiles.
**From Germany to Ghana:**
Organized by Osnabrück Kunsthalle, TRANSFER(S) initially opened in Germany with a monumental installation by Ibrahim Mahama. Now, the exhibition showcases collaborative works by Opoku and The Revival, delving into the complex interplay of identity, societal challenges, and climate action.
**Art as a Catalyst for Change:**
Kwamena Boison & Yayra Agbofah, founders of The Revival, emphasize the exhibition’s transformative power, using art and creativity to address societal difficulties, particularly climate change. TRANSFER(S) aims to go beyond traditional information sharing, inviting audiences to envision sustainable futures through aesthetic experiences.
**Exploring Identity Through Fashion:**
Opoku sheds light on the societal significance of fashion, exploring identity, and self in relation to cultural pride, social status, and commerce. The usage of secondhand garments and imported fabrics sparks a dialogue on the role of custom dress across diverse communities.
**Global Collaboration for a Sustainable Future:**
TRANSFER(S) transcends borders, bringing together artists, weavers, and cultural icons to discuss the exhibition’s themes. The project coincides with the jubilee year for Osnabrück, marking 375 years after the Westphalian Peace Treaty.
**Zohra Opoku: A Champion of Creativity:**
Opoku’s work transcends the conventional, examining the politics of personal identity, sustainability, and climate action. By integrating family heirlooms and self-image into her observations of Ghana’s cultural memory, Opoku celebrates the complexity that characterizes contemporary Ghana.
Don’t miss this transformative exhibition that intertwines art, sustainability, and cultural reflection. Join the conversation and imagine a world where identity and self weave seamlessly with pride, status, and the power of upcycling. TRANSFER(S) – where art meets change.